by Blake | Mar 1, 2017 | Prog Report
Ever since that fateful day when Steve Hackett crushed a wine glass in his hand, starting the long, slow process of his eventual departure from Genesis, Hackett has increasingly exhibited his independence. Independence from Genesis, independence from Western stereotypes, and yes, at times, independence from Prog itself (a genre which he helped define). This increasingly fierce independence has from time to time manifested itself in ‘world music’ explorations, with music coming from all five continents.
In these troubled times of closed borders, refugees, talks of walls between, exits from international coalitions, walls between neighboring countries and general international polarization, there could hardly be a more apposite theme than (in Hacketts own words): “a bird’s eye view of the world of a musical migrant ignoring borders and celebrating our common ancestry with a unity of spirit, featuring musicians, singers and instruments from all over the world. From territorial frontiers to walled-up gateways, boundaries often hold back the tide. But while the night siren wails, music breaches all defences”. These words should alert you, dear reader, to the fact that this album will feature some international sonic explorations.
The term “living legend” is used all too loosely these days, but few would argue that Steve Hackett is deserving of this description. But, living legend that he is, none can deny that Hackett is fearless. Cultural diversity aside, the allure of Hackett’s guitar-playing remains peerless, and it is comforting to know that it is always there, ready to rescue the purists if the international experimentation becomes in any way tiresome.
There is a strong theme (the historical plight of refugees and the hope for a more unified world), there is an orchestra, there is a choir, there is (most of) Hackett’s amazing band, there is Flamenco guitar, there is flute and mandolin, there is Prog, there is Rock, there is a mixture of styles, and yes, there is world music. And yet, there is always Hackett’s unmistakable electric guitar.
“Behind the Smoke” starts the album gently with a flamenco-style intro but soon turns into a massive grinding riff that suddenly, mid-song, reveals Hackett’s intention to expose his world music proclivities, with an eastern-sounding interlude. Soon enough, though, the massive wailing Hackett electric guitar that we know and love, returns to end the song. The second track, “Martian Sea”, is a quick-paced, pop ditty that relies on Gary O’Toole’s cheerful and up-beat drumming. It has a catchy hook and a nice Hackett solo. Again the international influence is to be found in the sitar and violin interludes, which sound more Eastern and Middle-Eastern than Martian.
“Fifty Miles From the North Pole” is a slow and solid track with a James Bond-themed guitar sound. 007’s presence notwithstanding, the song conjures images of icy, arctic travel undergone by our poor protagonist, without the resources of “M”, nor indeed anyone else, behind him. The solo is typical Hackett. The icy vocals are almost spoken rather than sung, and the Eastern influences are insistently present in the strings parts. One is just beginning to feel that the song could have been edited to be half the length, when Hackett stamps his authority with a great solo that could have been found on an early Genesis record.
Tabla-like percussion (perhaps played on an acoustic guitar) hints that “Anything but Love” might end up being pure world music, but inexplicably, a typical Hackett acoustic guitar solo then gives way to a pure and simple pop song that could be a top ten hit with the hook “But you’ll never get away with anything but love”. It even has a harmonica solo, and definitely sounds like BOC’s “Don’t Fear the Reaper”. It’s not GTR, but it’s a great pop song.
“Inca Terra” starts as a slow and gentle ode with mythical lyrics sung in pastoral harmony. It is the heart of the album, and given its theme, one expects a Proggy direction, and that expectation is fulfilled later in the song. At times it sounds almost like a Greek traditional hymn (is that a bouzouki?), but then Hackett shows his roots with an acoustic guitar flourish that leads into a complex and fast-paced arrangement, climaxing in a huge Hackett solo that any Progger will appreciate. Hints of classic Genesis in full flight appear towards the end. A very good Prog arrangement indeed.
“In the Skeleton Gallery” has been performed live quite a few times by now, While it is not an obvious “single” (does such a thing exist in Prog anyway?), it seems at the start to be one of the more accessible songs, but don’t be fooled. Slow and intense, it has a pleasing initial melody, but expect a dark, eastern-sounding woodwind interlude, and a quirky change of direction led by keyboardist Roger King. It then leads into a heavy Prog instrumental arrangement built around that quirky keyboard riff that also comprises the ending. King’s influence is strong on this one.
“West to East” is another story of international alienation and the need for the world to unite. While the instrumentation is suitably precise and excellent, up to the standards expected of a musician like Hackett, this song is all about the message. If you are opposed the exit of Great Britain from the Union, or certain immigration policies recently implemented by the US, expect to identify with these lyrics. “The Gift” is a short instrumental closer that will please fans of Hackett’s traditional guitar achievements. It is sad, lonely and reflective and ends the album with due pensiveness.
Although not as immediately accessible as his most recent releases times, due to the many directions taken, as well as the many world music influences introduced, ‘The Night Siren’ is still a Steve Hackett album, and it is one worth investing in. ‘The Night Siren’ is an album with substance and an urgent message. Expect to be transported to the East (or Middle East) from time to time, but expect your Prog hunger to be satiated as well. Perhaps Steve Hackett’s darkest work, it still has many great moments and reminds us we simply cannot ignore the fact that Steve Hackett is indeed a living legend.
Released on March 24th, 2017 on InsideOut Music
Key Tracks: Behind the Smoke, Fifty Miles from the North Pole, Anything But Love
CD:
1. Behind the Smoke (6:59)
2. Martian Sea (4:40)
3. Fifty Miles from the North Pole (7:08)
4. El Niño (3:52)
5. Other Side of the Wall (4:01)
6. Anything but Love (5:56)
7. Inca Terra (5:54)
8. In Another Life (6:07)
9. In the Skeleton Gallery (5:09)
10. West to East (5:14)
11. The Gift (2:45)
Line-Up:
Steve Hackett – electric & acoustic guitars, oud,
charango, sitar guitar, harmonica, vocals (1 – 11)
Roger King – keyboards and programming (1 – 10)
Amanda Lehmann – vocals (1,2,3,6,7,8,9,10)
Christine Townsend – violin, viola (3, 4, 5, 7, 9, 10)
Rob Townsend – baritone & soprano sax, flute, flageolet,
quena, duduk, bass clarinet (1, 4, 7, 9)
Gary O’Toole – drums (3, 4, 10)
Nick D’Virgilio – drums (2)
Gulli Briem – drums, cajon, percussion (7,9)
Mira Awad – vocals (10)
Leslie-Miriam Bennett – keyboards (11)
Troy Donockley – Uilleann pipes (8)
Dick Driver – Double bass (3,4,5,7)
Nad Sylvan – vocals (7)
Kobi Farhi – vocals (10)
Benedict Fenner – keyboards and programming (11)
Jo Hackett – vocals (10)
John Hackett – flute (2,10)
Ferenc Kovács – trumpet (3)
Sara Kovács – didgeridoo (3)
Malik Mansurov – tar (1)
The post Steve Hackett – The Night Siren (Album Review) appeared first on The Prog Report.
Source:: Prog Report
by Blake | Feb 27, 2017 | Prog Report
VOYAGER are back with their 6th album, entitled ‘GHOST MILE’ an amalgamation of everything the band does best- huge soundscapes, pop and prog sensibilities with catchy and thought-inducing instrumentals. The album was mixed by Matthew Templeman and mastered by Simon Strutters and maintains the production that was such a successful selling point for their album ‘V’.
Ashley Doodkorte (drummer) – says this about the band’s evolving sound on this record “The tracks on GHOST MILE embrace some of the more idiosyncratic aspects of our playing and songwriting – all of us are pushing our instrumentation to places they haven’t visited as much in the past, while still maintaining the hallmarks of our sound – and the results continually surprise and delight us! Like never before, this new album really feels like the sum of all of our influences, ideas and personalities.”
Maintaining their adamance for fan loyalty and interaction- VOYAGER have launched a Pledge Music campaign where fans can pre-order the new album, which is set for a May 12th release. Pledgers will have access to exclusive information and signed merchandise by the band. Any pledges will contribute to the completion of the production and manufacturing of the album which is set to be their best yet.
You can pledge here: http://www.pledgemusic.com/artists/voyager
The band say this about the campaign “We’re stoked to have a platform where people can not only contribute to the recording and production of the album, but can get their hands on some exclusive VOYAGER goodies! We’re also looking forward showcasing all the little videos and progress updates we have planned for this album production cycle with our Access Pass holders.”
You can check out the band’s last single ‘Misery Is Only Company’ HERE, which will appear on ‘Ghost Mile’.
The post Voyager announce new album ‘GHOST MILE’ and Pledge Music campaign appeared first on The Prog Report.
Source:: Prog Report
by Blake | Feb 27, 2017 | Prog Report
Neal Morse Band never take any time off it seems. With the North America tour for The Similitude of a Dream now behind them, a European tour coming, and now the recent announcement of the release of Morsefest 2015 DVD/Blu-Ray, the group have just announced the details for Morsefest 2017, the 4th such event in recent years.
The band will perform the entire Testimony 2 album on Friday, Sept 1st and for the final time, the complete new album, The Similitude of a Dream on Saturday, Sept 2nd. In addition to the albums, there will be a number of surprise encores and performances, as is usually the case.
Tickets and VIP packages are currently on-sale at: http://www.radiantrecords.com/products/676-morsefest-2017.aspx
The post Details revealed for Morsefest 2017 appeared first on The Prog Report.
Source:: Prog Report
by Blake | Feb 27, 2017 | Prog Report
Perhaps the most celebrated album in the Opeth catalog, Blackwater Park, the band’s 5th album, was released on Feb 27th, 2001. This was the first album where Steven Wilson collaborated with the band, producing the album and causing a shift in their musical style. With a wide breadth of styles and experimentation, the album was often described as having a heavy influence of Pink Floyd and King Crimson.
Mikael recalls working with Steven Wilson on the album, “Working with Steve Wilson for the first time was great, because I was a big fan and I’m still a big fan, and to get his expertise on what we could do that’s different from other metal bands. II’ve figured at the time already that we were different from the other bands but how to make that come across better on record. That’s where Steven came in and did some production features to the record that simply didn’t exist in the metal genre then. So it was a great experience you know and the last great experience for that line up.”
The post Opeth release Blackwater Park 16 years ago appeared first on The Prog Report.
Source:: Prog Report
